fuck you for setting me up with a golden ticket to make a brilliant pederast joke

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"This is why Superman works alone." GC
old stuff from days gone by (2001-2004)
Mad For Brad's gay little contest

Try not to splash any water on the laptop.

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Juan Paulino - Quantum Break (Original Mix) [Progressive Breaks]

soon im ready, finally have a dedicated room but its a mess now

So I got a free analog synth from like 1985






http://www.vintagesynth.com/misc/bitone.php

I helped my friend move yesterday and his exact words were "Hey do you want this keyboard from like the 80's... it doesn't really work." Of course I said yes immediately. It was in a hard case so I didn't even open it till I got home. Gotta say I was pretty delighted seeing what it was. Not a Juno 106 or other classic but still pretty cool

After turning it on I could see why they thought it was broken. I replaced the battery and went through the hilarious process of restoring the factory presets via TAPE (actually played an 8-bit .wav file through the audio interface) and lo and behold the shit works. Sounds pretty good too, except the main filter only functions about 50% of the time. I guess it does need some work but I'm glad I got it

Nice score, man.

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Now with extra singles!
my old stuff, not quite up to snuff - but I still dig it - UPDATED 9/23/2012

quote:

Originally posted by cryophonik My wife made me move the studio into the bathroom. Seriously, though, this is an $80K Didson SONAR unit that I'm using for a fisheries study this week. My boy and I are testing it out in the bathtub. It works sorta like an ultrasound in that it sends out high-frequency SONAR and converts the returning echoes into an image. OK, so it's not studio-related, but it is sound-related, so I thought I'd show it off. It's really cool!

It reminded me of this.

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Nothing lasts, nothing lasts, everything is changing into something else. Nothing is wrong, nothing is wrong, everything is on track...

You know, William Blake said... uh, nothing is lost. Nothing is lost and I... I really believe that, we only move on...

Those dudes are f'ing nuts.

And, just for the record, the SONAR gear is low-voltage, and everything is powered by batteries, cuz, uhhhh, well, there aren't too many outlets out on the open waters, well, at least not that I can find.

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cryophonik.com | facebook | soundcloud

Sonar Platinum | Ableton Live 9 | Logic Pro X | Access Virus TI2 Keyboard | Kurzweil PC3X | Nord Lead 4R | NI Maschine

The CharterOak SCL-1 found it's place

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Analogue Mastering
Esoteric sound for the discerning ear

quote:

Originally posted by Raphie The CharterOak SCL-1 found it's place

Fuck me Raphie, it's always been a pretty serious setup but that is wish list shit right there. The SCL from anyone I've spoken says it is just beautiful. Possibly the cleanest compressor out there. Would love to hear some A/B samples if you ever get the time. Nice job man.

The only things I can see wrong with this picture:

1, I would not have the K&H's directly on the wood - I think they have those rubber base pads but still, I think you'd see a marked improvement with recoil stabilizers.

2, Guessing at your I/O potential, I think you could do with a patchbay; I would hate to think of you having to run twice in and out of a DAC just to do inserts with kit that transparent?

The K&H's are on Sorbothane feet, dead silent
I've got an SSL X-patch bottom cabinet just above the SCL-1

the X-patch got the SSL-G, SCL1, API's and Alphachannels + 2 inserts to the Trident (Mix bus and Group 1) and 1 insert to the DAW

So when patched to the Trident all stays analogue and when not using the Trident but just an insert in wavelab for mastering, i can daisychain anything connected to the x-patch in any sequence without conversions. All thought over really well

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Analogue Mastering
Esoteric sound for the discerning ear

what % of your time is spent mastering. As opposed to producing. The desk alone will introduce phasing that if you were serious about mastering, you just wouldn't have. NOt to mention your oddly placed treatment. I mean it is a little silly to have the angle behind the screen covered yet not the area 90 degrees from that trajectory.

i mean if you are serious about mastering. I wouldn't even bother with a desk.

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"This is why Superman works alone." GC
old stuff from days gone by (2001-2004)
Mad For Brad's gay little contest

That's why I also have an insert patched directly to the daw, so i can choose.
you don't see the whole room, there are other pics before in the thread, got a floating decoupled floor, superchunks, monstertraps diffusor panels etc. the room measures really well.

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Analogue Mastering
Esoteric sound for the discerning ear