|
|
|
|
Lunar Phase 7
Not a Flying Toy.
Registered: Dec 2004
Location: Zone 4
|
|
quote: | Originally posted by palm
there are many standard things in a studio that aint very good really. look at the old version of yamaha monitors, they werent really that good. infact they where almost only midrange so that the producer would try to correct that and fill up with bass and treble, this way all records start sounding warm and bassy which again sounded good on crappy stereos which was part of the point. sony mdr-v6 are probably standard beacuse they are very cheap, very much avaliable and pretty good, + that people knows them and they are easy on the ears. u will have to double the price if not triple to get much more detailed sound but in many cases this is not important. a singer for example only needs to hear her voice and u dont need super headfones for that. |
Was gonna quote on the NS10's for fuck sake they needed paper going over the tweeter they were so harsh on the highs, still studio standard...
Standard dont mean shit really, it's the bare bones, the must have basics, not the best. I bought my 7506's 3 years ago, they've always sounded fucking shit to me. I tried to believe it was cause they were flat, etc. But they aint flat at all. The bass isn't there, just all mid and highs that are far to present.
Good vocal monitors? Yes I can belive that. Good DJ/Production phone? Simply no. Not for me, anyways. I enjoyed djing on the mdr 500's better. Even though their build was shit.
___________________
Nothing lasts, nothing lasts, everything is changing into something else. Nothing is wrong, nothing is wrong, everything is on track...
You know, William Blake said... uh, nothing is lost. Nothing is lost and I... I really believe that, we only move on...
|
|
Feb-02-2009 16:15
|
|
|
|
|
Lunar Phase 7
Not a Flying Toy.
Registered: Dec 2004
Location: Zone 4
|
|
quote: | Originally posted by Freak
the whole point of the NS-10s was thay they sound shit- like most peoples home hifi...
get a mix sounding good on a pair of ns-10s and it will sound good most places |
That was not the aim, it was a fortunate coincidence that the NS10's made mixes that had the disco smile (high bass and treble content) because they through out nothing but mid (apart from really shrill highs, hence the need to put paper over the tweeter on the earlier models).
Orignally NS10's were hifi speakers, and as I mentioned earlier they sucked ass. Much like the 7506's. And this was also decades ago, nowadays everything even budget speakers are quite capable of producing decent amount of sound and frequencies. These old rules do not apply.
Would you honestly wanna mix down some deep bass heavy techno or dubstep on a pair of 'monitors' that won't go below the mid 70hz range?
Nope.
___________________
Nothing lasts, nothing lasts, everything is changing into something else. Nothing is wrong, nothing is wrong, everything is on track...
You know, William Blake said... uh, nothing is lost. Nothing is lost and I... I really believe that, we only move on...
|
|
Feb-02-2009 19:31
|
|
|
|
|
Tony Morello
The Renegade Master
Registered: Apr 2001
Location: Calgary, Alberta, Canada
|
|
quote: | Originally posted by Freak
i didnt say it was the aim- or intention-of yamaha.
Ive worked in enough studios and sound related things to know what im talking about-both with regards to these and the sonys- but i respect your right to have a differing opinion.
We will hve to sgree to disagree. |
+1
also bear in mind, there's a difference between studio and reference, both in monitors and headphones
with a studio monitor or headphone, they color the sound to give you that warm punchy sound while reference monitors and headphones will tend to sound like crap to the untrained ear, however this is hardly the case, any studio i've worked in has had 2 sets of monitors, a pair of studio monitors flying from the ceiling and a pair of reference at ear level in optimum listening position
you get an accurate and flat representation of what the sound is actually sounding like, allowing you to tweak to your liking, yes, it will sound like crap to some but to those in the radio and recording industries it's a valuable tool to allow proper use of EQ and other plugins
what you hear is what you get and if it sounds good in that sound representation, there's a good chance it'll sound good on any speaker or headphone
in regards to the low bass response, that's what subwoofers were made for, no need to drive a speaker past what it was designed to do, that's why clubs have mid/highs and subs, proper pairing is what you need to do in this case
pros know pro audio, it's why we're pros that work in professional studios
as i said before, different strokes for different folks
___________________
Tony Morello Dot Com
Soundcloud
Facebook
Twitter
The Drunken Monkey Podcast
The Mixdown Podcast presented by Tony Morello
Last edited by Tony Morello on Feb-03-2009 at 04:48
|
|
Feb-03-2009 04:39
|
|
|
|
|
Vinyljunkie09
tranceaddict
Registered: Dec 2008
Location:
|
|
Anyone know where i can get replacement ear pads for the Sony MDR 7506 Thanks. Also how easy is it to change the pads has anyone ever done it before ? Thanks
|
|
Mar-06-2009 01:07
|
|
|
|
|
Tony Morello
The Renegade Master
Registered: Apr 2001
Location: Calgary, Alberta, Canada
|
|
|
Mar-06-2009 03:26
|
|
|
|
All times are GMT. The time now is 00:44.
Forum Rules:
You may not post new threads
You may not post replies
You may not edit your posts
|
HTML code is ON
vB code is ON
[IMG] code is ON
|
|
|
|
|
|
Contact Us - return to tranceaddict
Powered by: Trance Music & vBulletin Forums
Copyright ©2000-2025, Jelsoft Enterprises Ltd.
Privacy Statement / DMCA
|