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DJ RANN
Supreme tranceaddict
Registered: May 2001
Location: Hollywood....
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The problem is that the BT procol actually uses data compression and I haven't found a single example where it isn't used in some form. Now add that it's going through "afterthought" DAC for $200 headphones and it just won't sound as good as decent wired cans, let alone monitors.
I've personally never been able to do a final mix on can's alone - I just don't trust them and although i know there's people here that have done it with great results, I feel like I need to hear them on a system with divergence and convergence which you obviously don't get with headphones (unless you're putting a headphone monitor plugin like Isone or reference # or Waves NX etc, but that's a whole other can of worms).
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Apr-03-2019 20:27
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DJ RANN
Supreme tranceaddict
Registered: May 2001
Location: Hollywood....
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quote: | Originally posted by Mel David
Lol, VR, noooo, but I've been meaning to dabble in 5.1 mixes. Reverbs & delays would utilize the surround channels but YouTube don't support multichannel audio. |
It's a little more complex than that; It comes down to your sources - just slapping reverb in the surrounds isn't surround. Sources will range from mono (center channel or sub or split to fronts) to stereo (fronts and/or duped to rears) stereo fronts and backs and then often you also add a sub generator.
For instance, when we recorded cellos for a certain superhero with parent issues, we had two mics in front (L/R) and Two above and behind for the Ls and Rs.
So a single instrument with 4 channels, panned L and R, and Ls and Rs.
5.1 are always calibrated so that the Ls and Rs are lower but sometimes wetter with reverb from that fronts.
the .1 is literally just sub, and center has the lion's share of vox and mid bass.
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Apr-14-2019 16:48
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