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- Production Studio
-- Pictures of your Home studio
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quote:

Originally posted by NicholasR

fuck me!! u have a pair of PMC or am i dreaming???

This is just an update with a video, added a new rack for the gear.

--->VIDEO<---

Looking awesome there Dirty dude

quote:

Originally posted by palm looks awesome dirty! i just wonder why u need two viruseS? and how the hell did u make the clavia fit so well? its a mess size on it at my house3,7UNITs or something + cables makes it shit. how do u turn it of now? u dont have any problems with heating in that rack? btw with all that gear u gotta have a sounddiver for them all, care to share? or explain?

Hey there!
The reason for two viruses is: I was gonna sell one than the sale didn't go thru and I just never bothered later. I have my favorite soundsets loaded into the c, along with patches I created. I use the other Ti using the total integration option VST - but I still record the sound of the ti using the analog outputs. I route all my hardware synths thrue pheonix audio nicerizer 16.. Think of it as an analog mixer/solid state preamplification box giving a boost of up to 26 db + extra harmonic distortion along with some stereo widening effect (if needed). It's really useful for synthesizers that don't have a very loud analog outputs. The nord lead 3 only fits so nicely cause the virus ti is on top of it, and that way it's not in the way of NL3's cables. You can't put the NL3 as a top unit in the closed rack without living some space for the cables. I do not have a heating problem, since I have central air in the house. The big red switch in the second picture - top left corner is my main power switch. It turns on my NL3 and some other stuff. Everything alse has power switches up front - and I turn on what I use only. There are days when I just use virus ti and NL3 so the rest of the synths are off, unless I know I need some sounds from the rest so I turn on whatever I need. I have seperate editors for the synths, and for the lexicon effect box. So I can load soundsets/patches or save them using those programs. I do have sound driver also. But I don't use it as much.. I know my studio inside out, so whenever I try to do something there usually is no problem..

What spectrum analysis software is that on the third computer on the right?

quote:

Originally posted by Eric J What spectrum analysis software is that on the third computer on the right?

I think, it's Pinguin Audio Meter.

My home

lol u got one of those exercise balls as ur chair...how cute

It helps with my back posture... but i have a real chair for the long editing sessions hehe

quote:

Originally posted by WirelessEyes It helps with my back posture... but i have a real chair for the long editing sessions hehe

I should probably get one of those. I slump in my chair... not good.

i tried one of those things once

i just ended up leaning on my desk more, and hence arching my back even more

and I thought you have a super dooper Studio

quote:

Originally posted by Khayat and I thought you have a super dooper Studio

its just the ticket for making my little tunes

quote:

Originally posted by WirelessEyes My home

Very nice
Are those the Yamaha HS monitor series?
Which one? HS50 or 80?

Thank you very much

Thery are the 80's and they sound great. I mix all kinds of music on them.. Ballads, hip hop, dance, etc. They are easy on my ears too

@ WirelessEyes

I hope you know that its not really such a great idea putting your monitors in a corner. Ideally they should be pointing down the longest wall in your room.

quote:

Originally posted by Getafix @ WirelessEyes I hope you know that its not really such a great idea putting your monitors in a corner. Ideally they should be pointing down the longest wall in your room.

Depends acually.
With reference to his listening / sitting position, the speaker on-axis response is falling exactly where it should be, on him.

For most home studio setups, I don't think you need to take room reflections into account,(depends on room dimensions as well) which is why monitors are adviced to be pointing down the longest wall in the first place.

quote:

Originally posted by varun Depends acually. With reference to his listening / sitting position, the speaker on-axis response is falling exactly where it should be, on him. For most home studio setups, I don't think you need to take room reflections into account,(depends on room dimensions as well) which is why monitors are adviced to be pointing down the longest wall in the first place.

sorry mate, this post is an epic failure.

hs80ms are rear ported. this means the bass flies out the back of the cabinet. bass builds up in corners. his speakers are facing back into a corner.

= standing wave mania.

it is a very bad idea to have your speakers going back into a corner because the frequencies accumulate at a very small point. this happens on all monitors, but really badly on rear ported designs. the reason you have speakers firing down the long end of the room is to reduce late reflections. conversely, you should have them firing accross the short length of a narrow room as it stops early reflections.

he is also massively off axis. unless he sits a good 1-2m back from his computer, hes not on axis. the way the speakers are positioned at the moment makes them akin to headphones, except there will be massive comb filtering in the middle.

^
+1 What he said!

If you're having any doubts check out some acoustic forums or Ethan winer's website for more explanations.

as far as i can remember, bass travels slower than higher frequencies, there for as soon as it is emitted from a cabinet (not sure about monitors) it travels along the floor down to your feet, therefor the lower the frequency - the more time it will take to get to ya, thus it will get to you eventually, therefor the only thing you have to worry about are the mids and hights as they are the most essential in music production as they can be heard right away. Lower frequencies will reach you eventually, does not really matter how you position your cabinet or monitors, bass will always reach your feet since it is not concentrated in one point but rather dispersed through out the room floor.

i might be wrong as i am not too familiar with monitor placement and all those noise cancellation material they place on the walls, but i've studied the music concept from quite some time.

quote:

Originally posted by MegaMan as far as i can remember, bass travels slower than higher frequencies, there for as soon as it is emitted from a cabinet (not sure about monitors) it travels along the floor down to your feet, therefor the lower the frequency - the more time it will take to get to ya, thus it will get to you eventually, therefor the only thing you have to worry about are the mids and hights as they are the most essential in music production as they can be heard right away. Lower frequencies will reach you eventually, does not really matter how you position your cabinet or monitors, bass will always reach your feet since it is not concentrated in one point but rather dispersed through out the room floor. i might be wrong as i am not too familiar with monitor placement and all those noise cancellation material they place on the walls, but i've studied the music concept from quite some time.

Errr...low frequencies not important? Seriously, read what echosystm said about standing waves. How about you place some of the biggest monitors with big bass drivers in a small room. I think the standing waves will eventually kill you.

- farris

quote:

Originally posted by echosystm sorry mate, this post is an epic failure. hs80ms are rear ported. this means the bass flies out the back of the cabinet. bass builds up in corners. his speakers are facing back into a corner. = standing wave mania. it is a very bad idea to have your speakers going back into a corner because the frequencies accumulate at a very small point. this happens on all monitors, but really badly on rear ported designs. the reason you have speakers firing down the long end of the room is to reduce late reflections. conversely, you should have them firing accross the short length of a narrow room as it stops early reflections. he is also massively off axis. unless he sits a good 1-2m back from his computer, hes not on axis. the way the speakers are positioned at the moment makes them akin to headphones, except there will be massive comb filtering in the middle.

Thank you for this. When I get back into town I am going to rethink my monitor placement!

you must of missunderstood me, its a matter of a miliseconds

to the untrained ear, it wont make a difference

quote:

Originally posted by MegaMan you must of missunderstood me, its a matter of a miliseconds to the untrained ear, it wont make a difference

the timing is irrelevant. the bass waves will clash with the other waves creating dips and "booms" accross the room modes. time has nothing to do with this at all, it will happen regardless of the time delay. so, your point is completely invalid lol.

what you are confused with is the physical distance it takes for a low frequency wave to develop. this doesn't have a lot to do with standing waves and accoustics really.

bass is actually the most important thing to worry about, as most rooms are not capable of absorbing bass frequencies well at all.

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